Der Kopf ist rund exhibition installation view

Klaus in Vorarlberg / 2026

Der Kopf ist rund, damit das Denken die Richtung wechseln kann

Galerie Brugger

May 22 — June 01, 2026

Axial-Core

Leo Pum @La Térmica, Málaga KRVCE festival

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Santiago / 2026

RAMA TORCIDA

MAC — Museo de Arte Contemporáneo

Features

/ 2026

BUNNY BUNKER NO.1

Berlin / 2026

FIGHT OR FLIGHT: SEX

Kunstquartier Bethanien

Shanghai / 2026

TECHNO WORLDS — FINAL SAMPLING

Power Station of Art

Paris / 2026

WHAT WE SEE, WHAT LOOKS BACK AT US

Emergency Space

Brescia / 2026

IMPOTENZA

Palazzo Monti

Triangle reshapes the O of my mouth exhibition view

Munich / 2026

TRIANGLE RESHAPES THE O OF MY MOUTH

Sperling

Lima / 2026

YOU CAN'T STOP THE WORLD FROM BEING BAD

Galería Gato

KIM MYUNGCHAN

@kim.myungchan

Cergy / Paris / 2026

NIKE, TA MÈRE (WILL FALL ON YOU)

ENSAPC / CROUS Paris

Istanbul / 2026

ROOTKIT

BENTA

Düsseldorf / 2026

DON'T TRUST THE RABBIT

SSK Düsseldorf

Montpellier / 2025

METEMPSYCHOSIS

MO.CO. Montpellier Contemporain

Brno / 2025

LOVE

Zaazrak|Dornych

Lisbon / 2025

THE STAGES OF GRIEF

PADA Studios

/ 2024

EXTERNAL CRYOGENICS

Hyperlink Athens

Shanghai / 2024

CONTEMPT

Capsule Shanghai

EMMA BEATREZ

@emma.beatrez

/ 2025

DEEP SEA FISH

Diesel Art Gallery

Berlin / 2025

THE NEOLIBERAL URGE TO CURATE A FRIENDSGROUP

ACUD Galerie

Vienna / 2025

SWEET GARDEN OF VANISHED PLEASURES

dieAngewandte

Arnsberg / 2025

VITALS VAPORS

Kunstverein Arnsberg

Hamburg / 2025

DIE SPRACHE DER VÖGEL

Westwerk Hamburg

Prague / 2025

WITH FEATHERS AND FLESH

Holešovická Šachta

Seoul / 2026

THE LANGUAGE OF THE ENEMY

Artsonje Center

London / 2025

THE SIGNAL. THE NOICE

Greatorex Street E1

NATHAN CARÊME

@nadaecc

Dortmund / 2026

CALL ME WE

SUPERRAUM

Dornbirn / 2026

47°24’35’’N / 9°44’20’’E

Kunstraum Dornbirn

Lisbon / 2026

LULLABY BLOSSOMS

Cosmos CAC

Paris / 2026

CHEWING GUM IN THE MOTHERBOARD

La Volonte 93

Paris / 2025

PULSES WITHIN

Ds Galerie

Seoul / 2025

THIRD SKIN

Dive Seoul Art

Vilnius / 2026

SUBSURFACE

MO Museum

Brno / 2026

ANCIENT GIRL STARTER PACK

Galerie Mladých, TIC

Tisbury / 2026

FLOOD

Messums West

Shanghai / 2026

THE ROOM IS EMPTY, BUT PREGNANT

Capsule Shanghai

Málaga / 2026

AXIAL-CORE

La Térmica (KRVCE festival)

Ciudad de México / 2026

TÁNTALO

Biblioteca Vasconcelos

Klaus in Vorarlberg / 2026

DER KOPF IST RUND, DAMIT DAS DENKEN DIE RICHTUNG WECHSELN KANN

Galerie Brugger

KOESY

@koesysaga

Turin / 2026

OLD SNAG

Société Interludio

Mexico City / 2026

AXES

Alvarez Chida

Oslo / 2026

STIAN EIDE KLUGE AT ROTHHAUS, KUNSTNERNES HUS, OSLO

Kunstnernes Hus (Rothaus)

New York / 2026

ACTUALIZATION MACHINE

Silke Lindner

PROFUSION ANTAGONIST WISHLIST exhibition view

Düsseldorf / 2026

PROFUSION ANTAGONIST WISHLIST

PAW

Kraków / 2025

WHEN DOORS CLOSE, WALLS RISE

Jak Zapomnieć Gallery

Shanghai / 2025

A BLADE UNHELD

Galerie Dengyun

Brussels / 2025-2026

WORK OF PROOF

FLⒶT$

YIHAN PAN

@pyhii

Tartu / 2024

ENTER WOODLAND SPIRITS

Estonian Literary Museum and the University of Tartu Natural History Museum

London / 2024

TOTAL INTERNAL REFLECTION

Zerui G

Stockholm / 2024-2025

DIALECTS OF THE DEEP

Bonniers Konsthall

Innsbruck / 2025

TIPPING POINT PHANTOMS

Künstlerinnenvereinigung Tirol

Paris / 2025

TISSU EXPANSÉ

Europa NYC

New York / 2025

LUCA

Management NYC

Warsaw / 2025

THE LAST DRAWER ON THE LEFT

Przeciag Galeria

Busan / 2025

AFTERLIFES

Hongti Artcenter

YEON GYEONG-SEOK

@camelostrich

Munich / 2026

MOTIONS TO UNFURL

Gallery Thetigerroom

Berlin / 2026

COMMON LANDSCAPE(S) (GROUP SHOW)

ACUD Galerie

Paris / 2026

MAIN DE FER, GANT DE VELOURS

Association NOEMI — Espace Brownstone

Kraków / 2026

THE SHAPE OF A SCAR

Bonifraterska 3/1

Nurnberg / 2026

LIMINALITY

Adbk Nuernberg

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT exhibition view

New York City / 2026

AUSSERKÖRPERLICHE ERFAHRUNG: WANDERING SPIRIT

Management NYC

/ 2025

SWEET WORLD 1

Sweet World Gallery

Madrid / 2025

DESIRING MACHINES

RÍO & MEÑAKA

/ 2026

MOUTH

Warsaw / 2026

A FLOWER IS GROWING INSIDE ME

Piktogram

Avigliana / 2026

I SEE YOU FALLING IN MY DEN

Una Boccata d'Arte 2026

Brussels / 2026

CALL ME GRAVITY

WIELS Contemporary Art Centre

Copenhagen / 2026

AFTER THE OFFERINGS

inter.pblc

ISABELLE ALBUQUERQUE

@isabellealbuquerque

Angers / 2026

THE STASIS GARDEN (OR PIXIES MEMORIES)

Ville d'Angers (Château d'Angers)

Genk / 2026

JOY RIDE

Jester

Kraków / 2026

PASSENGER

Szaber Gallery, Kraków, Poland

Vienna / 2026

TERRITORIES OF EXTRACTION

Arka Arka

Poznań / 2026

TANGLED IN SHADOWS FROM AN OLD DRAWER

Łęctwo

Warsaw / 2026

HAUS DER LÜGE

Przeciąg Gallery

Tokyo / 2026

THE BEAUTIFUL REMAINS

Kohtoh

Edges that blur, bodies that fold into something other exhibition view

Berlin / 2025

EDGES THAT BLUR, BODIES THAT FOLD INTO SOMETHING OTHER

ACUD

00 ZHANG

@aio0o0o0

/ 2023

KASSANDRA

Kunsthalle Ost

/ 2024

METEMPSYCHOSIS: THE PASSION OF PNEUMATICS

Schinkel Pavillon

Vilnius / 2024

KETEROS

Meduza Fyi

Wroclaw / 2024

EUTROPHY

Bulvary

Jung-gu, Seoul / 2025

FARM

Bio Gallery

Geneva / 2024

DOWN THE RABBIT HOLE, 2024

Halle Nord Geneve

Bratislava / 2025

DISTANT, ENDLESS HUM

Vunugallery

Santiago / 2025

ENCUENTRO

Sagradamercancia

DORIS SALCEDO

#DorisSalcedo

FANTASY VANISHES IN FLESH exhibition view

Milan / 2025

FANTASY VANISHES IN FLESH

Francesca Minini

Berlin / 2025

WEAVING BACK TO COMMON GROUNDS

ACUD Galerie

Dornbirn / 2026

BUCOLICA

Kunstraumdornbirn

Seoul / 2025-2026

GROWING BODY

Studiya Gallery

Seoul / 2025

MASSAGE PLATZ

Shower

Warsaw / 2026

PARACHUTE

Przeciag Galeria

Seoul / 2026

MIMICKING ETERNITY

Studiya Gallery

Offenbach am Main / 2026

CALL SOMEONE

Ayayay

TAEWON AHN

@ppuri_

Hurup / 2026

THE JEWEL BOX

Kunsthal Thy

/ 2026

FROM AN UPCOMING SERIES

Seoul / 2026

BETWEEN REALITY AND THE VIRTUAL

DEW KIM

@dew_needs_you

Seoul / 2026

TANGERINE REVERIE

Bangdo

Paris / 2026

NYMPHENBRUNNEN

Espace Nonono

24 Preludes, Op. 34: No. 22 in G minor (Adagio) exhibition view

Seoul / 2026

24 PRELUDES, OP. 34: NO. 22 IN G MINOR (ADAGIO)

Studiya Gallery

London / 2026

FAULT LINES

Public Gallery

Everything comes together while pushing all apart exhibition view

Vienna / 2026

EVERYTHING COMES TOGETHER WHILE PUSHING ALL APART

Reaktor Wien

WHO COMPOSES THE SONG OF THE CRICKETS? exhibition view

Paris / 2026

WHO COMPOSES THE SONG OF THE CRICKETS?

Galerie Suzanne Tarasieve

Munich / 2026

DOUBLE STAR

nouveaux deuxdeux

Bucharest / 2026

DISLOCATION

Arsmonitor

ANNA UDDENBERG

@filet_minion_thong

New York City (NY) / 2025

EXUVIAE

Management

Göteborg / 2025

TOMORROW'S FORECAST, WHITE CLOUDS GREY DOGS

Galleri Box

/ 2024

BIDIM BLO!

Basisfrankfurt

Lisboa / 2023

A CERTAIN INSTANCE OF VERRITION

Leal Rios Foundation

Budapest / 2024

SKELETAL SCENES

Ani Molnár Gallery

Prague / 2024

PETRICHOR

Prám

Milan / 2025

FALENE

Limbo Contemporary

Ljubljana / 2025

TAR STAR

Cukrarna Art

JACOPO PAGIN

@pax_aliena

/ 2025

THE ROOM I

Ifö Center

Bratislava / 2025

BEGONE ESTRONE

Medium Gallery

Kraków / 2025

CRASH PÆNDEMONIA

Jak Zapomniec

Milan / 2025

MYTHS FROM SMOLDERING SKIES

Limbo Contemporary

DOUBLED PRESENCE IN A DISEMBODIED SPACE exhibition view

Graz / 2026

DOUBLED PRESENCE IN A DISEMBODIED SPACE

Trost Spc

Prague / 2026

SOFT_SIGHS SYNTHESIS

Clauda Cz

London / 2026

EVEN SPECTRES CAN TIRE

Xxijra Hii

Buenos Aires / 2026

COAGVLA

Acéfala Galería

QUE.FRESCA

@que.fresca

Berlin-Schöneberg / 2025

PRESENCE BY PROXY

Schutzenverein

Białystok / 2025

PARADISE ROT

Galeria Arsenal

Paris / 2026

NEXUS, OPEN STUDIO

Cité internationale des arts

XOLO CUINTLE

@xolo_cuintle

Olomouc / 2026

SIGNAL V

Telegraph Gallery

Prague / 2026

ROT SUMMER

Holešovická šachta

Ethereal Robes of Vulnerability exhibition view

Vilnius District Municipality / 2026

ETHEREAL ROBES OF VULNERABILITY

Aikas Žado Laboratory (Žeimiai Manor House)

Słupsk / 2026

A GENTLE KISS ON A DOUBLE FOREHEAD

BGSW / Baszta

Poznań / 2026

WE ARE DEEPLY ALARMED AND EXPRESS OUR GRAVE CONCERN

DOMIE

Poznań / 2026

MAKE ME YOURS

Łęctwo

Brussels / 2026

FIRST DATE

Lodovico Corsini

Berlin / 2026

CAGED MOVEMENTS

NADAN Berlin

YUKINO YAMANAKA

@yukino_yamanaka

Ljubljana / 2026

ACCOMPLICE

Cukrarna

Warsaw / 2024-2025

GRASS ON ROADSIDE 4

Przeciąg Gallery

London / 2025

CHOICE DIRT

Xxijra Hii

Incommunicability is itself a source of pleasures exhibition view

Brescia / 2025-2026

INCOMMUNICABILITY IS ITSELF A SOURCE OF PLEASURES

The Address

/ 2024

TRANSPARENCY REPORT

/ 2023

THE WORM AT THE CORE

SET

Berlin / 2023

HUMAN IS

Schinkel Pavillion

London / 2024

LIMO

The Split Gallery

SOPHIA GATZKAN

@s_gatzkan

LUNAR ENSEMBLE FOR UPRISING SEAS exhibition view

Barcelona / 2024-2025

LUNAR ENSEMBLE FOR UPRISING SEAS

Macba Barcelona

Milan / 2025

METAL MEMORY

Limbo Contemporary

Berlin / 2025

GREEN GROWTH

Kuenstlerhaus Bethanien

Århus / 2025

JUST ABOUT AND NEVER

SpLab

Paris / 2025

PARADE

Romeropaprocki

Berlin / 2025

THRESHOLDS

Carlier | Gebauer

Seoul / 2026

THE COLLAPSE MANUAL_THE POST-HUMAN FIELD (GROUP SHOW)

Aod Museum

Leipzig / 2026

MOONLIT BOTANICAL COLOUR THEORIES

Jochen Hempel

ARGHAVAN KHOSRAVI

@arghavan_khosravi

Vorarlberg / 2026

SUPPORTED FILES

Galerie Brugger

Sardinia / 2026

BLUE BLOODED

Museo Nivola

/ 2025

LOST ENCOUNTERS, THEY CLING

PARALLEL VIENNA

Seoul / 2025

TACTICS FOR AN ERA (GROUP SHOW)

K&L Museum

DORNBIRN, AUSTRIA / 2026

47°24’35’’N / 9°44’20’’E

Kunstraum Dornbirn / Davide Allieri

47°24’35’’N / 9°44’20’’E - coordinates that mark a real location while at the same time resembling an encrypted message. Whoever follows them arrives at Kunstraum Dornbirn. Yet what unfolds here is not a clearly mappable site, but rather a liminal state. Davide Allieri transforms the historic industrial hall into the point of departure for an enigmatic environment: in the pale haze of a hostile landscape, a luminous portal appears in the form of a large circular sculpture - a possible passage, a technological relic, or a metaphysical sign. Nearby rises a figure approximately four metres long, reminiscent of a drone or a mech. Countless cables run through the space, stretching across floor and architecture to form a network of technical infrastructures whose function remains unclear. Loose ends suggest energy and connection, yet nothing appears to be activated. Emanating from the portal, a pervasive sound settles over the scene like an invisible layer. Sound, light and darkness intensify the feeling of a permanent in-between - a condition in which possibilities remain open yet undetermined. Are we at the beginning of a new epoch - or at the end of a former one?

The immersive installation evokes the atmosphere of an apocalyptic science-fiction narrative, but without narrative clarity. Reality and fiction, past and future, collapse and possibility do not exist as opposites but as overlapping layers. Allieri does not present a conventional dystopian space; he is not interested in romantic ruins or familiar end-of-the-world clichés. What stands at the centre is not catastrophe itself, but what remains afterwards: a present in suspension. Forms persist, yet their original function appears suspended. The bodies are absent. Movement is halted - and yet physically perceptible: Francesco Peccolo develops a specially composed sound design, a low-frequency, vibrating drone interrupted by metallic resonances and fragmented impulses that recall distant signals or the echo of an autonomous machine. The sound oscillates between mechanical precision and atmospheric vastness. It creates an acoustic suspension in which time stretches, orientation dissolves, and space becomes perceptible as a resonating body of potential that evokes uncertain expectation. Installation, sculpture, architecture and sound intertwine into a dense, bodily experience.

What manifests within this environment can be read as the trace of a broken promise. The grand narratives of modern progress have lost their binding force - and with them the memory of the origins of those visions of the future that once provided orientation. A present unfolds that lacks any clear direction. The future loses its function as a projection surface for hope or action; it remains indeterminate. For Allieri, this constellation resonates with Marc Augé’s concept of the non-place, which he shifts into a speculative dimension. His spaces are precisely located and yet neither temporally fixed nor narratively conclusive. Time does not appear cyclical but linearly extended - an elongation of the present without clearly defined origin and without discernible goal. Within this non-time and non-place, a peculiar tension emerges: one finds oneself on a threshold, neither completely inside nor outside the event. It is precisely here that Allieri positions his work - not as dystopia, but as a simulacrum of a possible reality, subtly displaced and decoupled.

The entire environment is conceived specifically for the architecture of Kunstraum Dornbirn, which is shaped by the history of the Vorarlberg metal industry. It forms a resonant framework for Allieri’s narrative, in which the past remains present as a material trace. The monumental sculptures are fabricated from fibreglass - the artist’s preferred material. What is decisive is not only their aesthetic appearance but their inner condition. Allieri conceives his sculptures as shells, as containers. They are not solid but hollow. Within this emptiness lies their conceptual core. A solid sculpture remains an object; an empty one contains space. It preserves enclosure and protection while carrying both memory and potential. Fibreglass allows for extremely thin yet resilient surfaces. The bodies appear technically precise and almost ghostlike - present and yet dematerialised. Form endures, while the interior appears as an indeterminate field of possibility.

Formally, the works oscillate between machine, organism and architectural fragment. They are at once alluring and uncanny, beautiful and threatening, dead and yet charged with latent energy. Their aesthetic draws on references to animated, human-operated drones as well as fragments of contemporary motorcycle and car body parts. Through spatial collage, dysfunctional structures emerge that resemble autonomous creatures. They point to an invisible human presence - a subject that is absent and only reimagined in the act of observation.

By shielding the space from daylight and installing an artificial atmosphere of light and sound, Allieri fundamentally transforms the hall. From the springlike municipal garden, one steps into another sphere - perhaps into an “afterwards” whose meaning remains open. The precise coordinates of the exhibition title anchor this environment firmly in reality, while simultaneously withdrawing it from any clear temporal determination. Whether the portal marks the beginning of a new narrative or the echo of a fallen civilisation remains undecided. The exhibition deliberately leaves this question to its visitors - confronting them with perhaps the most fundamental one of all: What does the future mean when it has lost its direction and the memory of its own promise?

47°24’35’’N / 9°44’20’’E installation view 2 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 3 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 4 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 5 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 6 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 7 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 8 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 9 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 10 — Installation view. Photo: Günter Richard Wett

47°24’35’’N / 9°44’20’’E installation view 11 — Installation view. Photo: Günter Richard Wett

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