
Paris / 2026
MAIN DE FER, GANT DE VELOURS
Association NOEMI- Espace Brownstone



Exhibition of the Week
@cosmos.cac
Lisbon, Portugal
14 April - 12 May 2026
View Exhibition
Paris / 2026
Association NOEMI- Espace Brownstone

Kraków / 2026
Bonifraterska3/1

Warsaw / 2026
@przeciag_galeria

Lisbon / 2026
@cosmos.cac

Paris / 2026
@lavolonte93

Vorarlberg / 2026
@galeriebrugger

London / 2026
Xxijra Hii

Seoul / 2026
@studiya.gallery

Dornbirn / 2026
Kunstraum Dornbirn

Dortmund / 2026
SUPERRAUM

Buenos Aires / 2026
@acefalagaleria

Offenbach am Main / 2026
@ayayay_________

Prague / 2026
@clauda.cz

Nurnberg / 2026
@adbk_nuernberg

New York City / 2026
@management.nyc
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Berlin / 2026
@acudgalerie

Leipzig / 2026
@jochenhempel

Sardinia / 2026
@museo_nivola

Seoul / 2025-2026
@studiya.gallery
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Seoul / 2026
@aodmuseum

Graz / 2026
@trost.spc

Seoul / 2025
Shower

Brussels / 2025-2026
FLⒶT$
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Munich / 2026
@gallery_thetigerroom

Lisbon / 2025
PADA Studios

Dornbirn / 2026
@kunstraumdornbirn

Brescia / 2025-2026
The Address
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Berlin / 2025
@acudgalerie
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Milan / 2025
@limbo.contemporary

Berlin / 2025
@carliergebauer

Berlin-Schöneberg / 2025
@schuetzenverein_

Paris / 2025
@europa.nyc

Paris / 2025
@ds_galerie

Paris / 2025
@romeropaprocki

Göteborg / 2025
Galleri Box

Kraków / 2025
@_jak_zapomniec_

Shanghai / 2025
Galerie Dengyun

Milan / 2025
@francesca_minini

Seoul / 2025
@dive.seoul.art

Madrid / 2025
@riomenaka

Białystok / 2025
@galeria_arsenal

Seoul / 2026
@artsonje_center

Prague / 2025
@holesovickasachta

Seoul / 2025
K&L Museum

Busan / 2025
@hongtiartcenter
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London / 2025
@greatorexstreet_e1

/ 2025
@sweet.world.gallery

Bratislava / 2025
MEDIUM

Bratislava / 2025
@medium_gallery

London / 2025
Xxijra Hii

Hamburg / 2025
@westwerk_hamburg

Brno / 2025
Zaazrak|Dornych

New York City (NY) / 2025
Management

Berlin / 2025
ACUD

Warsaw / 2025
@przeciag_galeria

Århus / 2025
SpLab

/ 2025
@ifocenter

Santiago / 2025
@sagradamercancia

Arnsberg / 2025
@kunstverein_arnsberg

New York / 2025
@management.nyc

Bratislava / 2025
@vunugallery

Milan / 2025
@limbo.contemporary

Kraków / 2025
Jak Zapomnieć Gallery

Berlin / 2025
@kuenstlerhaus.bethanien

Vienna / 2025
@dieangewandte
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Milan / 2025
@limbo.contemporary
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Berlin / 2025
@acudgalerie

Montpellier / 2025
MO.CO. Montpellier Contemporain

Ljubljana / 2025
@cukrarna.art

Jung-gu, Seoul / 2025
@biogalleryseoul

/ 2025
@dieselartgallery

Innsbruck / 2025
@kunstlerinnenvereinigung_tirol

/ 2025
@parallelvienna

Stockholm / 2024-2025
@bonnierskonsthall

Warsaw / 2024-2025
Przeciąg Gallery

London / 2024
The Split Gallery

Prague / 2024
Prám

Wroclaw / 2024
Bulvary

Geneva / 2024
@halle_nord_geneve
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Berlin / 2023
Schinkel Pavillion

Barcelona / 2024-2025
@macba_barcelona

London / 2024
@zerui.g

Shanghai / 2024
@capsuleshanghai

Tartu / 2024
Estonian Literary Museum and the University of Tartu Natural History Museum

Budapest / 2024
@amprojects_byanimolnar

/ 2024
@schinkelpavillon

Vilnius / 2024
@meduza.fyi

/ 2024
@hyperlink_athens

/ 2024

/ 2024
@basisfrankfurt

/ 2023
@kunsthalle.ost
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/ 2023
@setsetsetsetsetset

Lisboa / 2023
Leal Rios Foundation
Brussels, Belgium / 2025-2026
FLⒶT$ / Phung-Tien Phan, Rebecca Grundmann and Frederik Exner

Phung-Tien Phan (b. 1983) lives and works in Essen. She helds a BA in photography from the Folkwang University Of Arts. Additionally she studied at the Kunstakademie Düsseldorf for 2,5 years. Phung-Tien Phan works primarily in the media of sculpture and film; the work calling upon the (psychic) material of her everyday experience. Overtly casual, her practice is nonetheless assertive, supportive of the value of humor, criticality and experimentation. Phan’s work has been included in institutional exhibitions including Rushes, Fluentum, Berlin (2025), Follow the Feeling, Times Museum, Guangzhou (2024) and Kartoffel, Kunsthalle Basel (2023).
In her artistic practice, Rebecca Grundmann (b. 1995) confronts personal truths and seemingly unalterable circumstances that shape our daily lives. She is interested in challenging these rigid structures to uncover a world of artificiality and absurdity; cultural norms as a facade, a feigned sense of stability. In her own work, Grundmann is curious about their artistic appropriation into new contexts, what happens when the well-known and familiar is rendered in a new light. Rebecca Grundmann was raised in Birmingham, England and studied Fine Art at the Kunstakademie Düsseldorf, where she graduated as a master student of Prof. Rita McBride in 2021. Her work has been part of several exhibitions and projects, such as Appendage (2025), solo show at b10b.series, Düsseldorf; Trajectories (2023) with Katerina Matsagkos at F.E.A. | ΦΑΙΑ, Athens; Biennale für Freiburg (2023); Düsseldorf Photo+ (2020); and the Biennale Architettura, Venice (2018), as part of the group project Île Flottante. She currently lives and works in Berlin.
Frederik Exner’s (b. 1991 in Aarhus, Denmark) figurative sculptures could be described as the imagery of a fictitious culture or belief system that doesn’t belong to humankind as we know it today. This image-world is not based on a firmly defined mythology, but is inconstant renegotiation through repetitions, iterations and contradictions. He is interested in sculpture as a medium in both the art- and cultural history, especially in the intersection between figuration and abstract symbols that is often found in religious art. Frederik Exner has studied at The Royal Danish Academy of Fine Arts as well as École des Beaux-Arts de Paris, from where he graduated in 2024. His work has been shown in institutions and exhibition spaces such as Musée de Cluny (Paris), FRAC Île de France (Paris), Galerie Municipal Jean Collet (Vitry), Fondation Pernod Ricard (Paris) and Tranen (Hellerup).
The Exhibition is kindly supported by Kunststiftung NRW




























