
Paris / 2026
MAIN DE FER, GANT DE VELOURS
Association NOEMI- Espace Brownstone



Exhibition of the Week
@cosmos.cac
Lisbon, Portugal
14 April - 12 May 2026
View Exhibition
Paris / 2026
Association NOEMI- Espace Brownstone

Kraków / 2026
Bonifraterska3/1

Warsaw / 2026
@przeciag_galeria

Lisbon / 2026
@cosmos.cac

Paris / 2026
@lavolonte93

Vorarlberg / 2026
@galeriebrugger

London / 2026
Xxijra Hii

Seoul / 2026
@studiya.gallery

Dornbirn / 2026
Kunstraum Dornbirn

Dortmund / 2026
SUPERRAUM

Buenos Aires / 2026
@acefalagaleria

Offenbach am Main / 2026
@ayayay_________

Prague / 2026
@clauda.cz

Nurnberg / 2026
@adbk_nuernberg

New York City / 2026
@management.nyc
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Berlin / 2026
@acudgalerie

Leipzig / 2026
@jochenhempel

Sardinia / 2026
@museo_nivola

Seoul / 2025-2026
@studiya.gallery
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Seoul / 2026
@aodmuseum

Graz / 2026
@trost.spc

Seoul / 2025
Shower

Brussels / 2025-2026
FLⒶT$
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Munich / 2026
@gallery_thetigerroom

Lisbon / 2025
PADA Studios

Dornbirn / 2026
@kunstraumdornbirn

Brescia / 2025-2026
The Address
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Berlin / 2025
@acudgalerie
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Milan / 2025
@limbo.contemporary

Berlin / 2025
@carliergebauer

Berlin-Schöneberg / 2025
@schuetzenverein_

Paris / 2025
@europa.nyc

Paris / 2025
@ds_galerie

Paris / 2025
@romeropaprocki

Göteborg / 2025
Galleri Box

Kraków / 2025
@_jak_zapomniec_

Shanghai / 2025
Galerie Dengyun

Milan / 2025
@francesca_minini

Seoul / 2025
@dive.seoul.art

Madrid / 2025
@riomenaka

Białystok / 2025
@galeria_arsenal

Seoul / 2026
@artsonje_center

Prague / 2025
@holesovickasachta

Seoul / 2025
K&L Museum

Busan / 2025
@hongtiartcenter
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London / 2025
@greatorexstreet_e1

/ 2025
@sweet.world.gallery

Bratislava / 2025
MEDIUM

Bratislava / 2025
@medium_gallery

London / 2025
Xxijra Hii

Hamburg / 2025
@westwerk_hamburg

Brno / 2025
Zaazrak|Dornych

New York City (NY) / 2025
Management

Berlin / 2025
ACUD

Warsaw / 2025
@przeciag_galeria

Århus / 2025
SpLab

/ 2025
@ifocenter

Santiago / 2025
@sagradamercancia

Arnsberg / 2025
@kunstverein_arnsberg

New York / 2025
@management.nyc

Bratislava / 2025
@vunugallery

Milan / 2025
@limbo.contemporary

Kraków / 2025
Jak Zapomnieć Gallery

Berlin / 2025
@kuenstlerhaus.bethanien

Vienna / 2025
@dieangewandte
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Milan / 2025
@limbo.contemporary
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Berlin / 2025
@acudgalerie

Montpellier / 2025
MO.CO. Montpellier Contemporain

Ljubljana / 2025
@cukrarna.art

Jung-gu, Seoul / 2025
@biogalleryseoul

/ 2025
@dieselartgallery

Innsbruck / 2025
@kunstlerinnenvereinigung_tirol

/ 2025
@parallelvienna

Stockholm / 2024-2025
@bonnierskonsthall

Warsaw / 2024-2025
Przeciąg Gallery

London / 2024
The Split Gallery

Prague / 2024
Prám

Wroclaw / 2024
Bulvary

Geneva / 2024
@halle_nord_geneve
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Berlin / 2023
Schinkel Pavillion

Barcelona / 2024-2025
@macba_barcelona

London / 2024
@zerui.g

Shanghai / 2024
@capsuleshanghai

Tartu / 2024
Estonian Literary Museum and the University of Tartu Natural History Museum

Budapest / 2024
@amprojects_byanimolnar

/ 2024
@schinkelpavillon

Vilnius / 2024
@meduza.fyi

/ 2024
@hyperlink_athens

/ 2024

/ 2024
@basisfrankfurt

/ 2023
@kunsthalle.ost
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/ 2023
@setsetsetsetsetset

Lisboa / 2023
Leal Rios Foundation
Brescia, Italy / 2025-2026
The Address / Dorota Gawęda & Eglė Kulbokaitė

The Address is pleased to present Incommunicability is itself a source of pleasures, the first solo exhibition by Dorota Gawęda & Eglė Kulbokaitė at the gallery. The exhibition brings together a body of new works conceived specifically for the Brescia space, continuing the duo’s exploration of the relationships between body, image, and technology. In Gawęda & Kulbokaitė’s practice, the image is never a fixed or determined entity, but rather a site of translation and transition. Materials, surfaces, and projections become tools for probing what eludes definition, the in-between states of the real and the virtual, the corporeal and the artificial, sensation and code. In the gallery’s caveau, the newly published video Spit and Image is presented. The artwork reflects on the construction of identity and the dynamics of self-representation. Through a direction that alternates between domestic settings and dreamlike visions, the video evokes the familiarity of digital languages, from social media to reality television, transforming them into a psychological and ambiguous substance. Faces, gazes, and voices multiply, evoking both intimacy and disorientation: the image no longer strives for reproduction, but for the generation of new forms of presence. With Enclosure, Gawęda & Kulbokaitė intervene directly in the exhibition space through aluminum structures and silk chiffon veils that form a system of shifting thresholds. The title recalls the historical process of land privatization. Here, the boundary no longer signifies separation but becomes a permeable, ever-changing surface. The digital prints, layered and translucent, produce enigmatic chromatic and visual variations that shift with light and movement, suggesting an organic relationship between memory, matter, and simulacrum. The Ectoplasm series moves the artists’ research onto painterly terrain. Drawing on the notion of ectoplasm, the semi-material substance associated with spiritualist practices, the duo creates compositions where manual gestures and digital processes intertwine. Airbrush, oil, crayons, printed silk, mixed media, and artificial intelligence converge to shape surfaces in which the body dissolves into vibrations of color and layers of marks. Displayed on the walls, these works form an unstable perceptual field, suspended between image archives and tactile intuition. In Incommunicability is itself a source of pleasures, the dialogue between the works unfolds as an experience of friction and resonance. Language does not aim for clarity but for the proliferation of meaning. Gawęda & Kulbokaitė work within the threshold where the visible withdraws and reemerges, where distance becomes fertile; a space in which perception and incommunicability coincide, generating a form of pleasure born from the impossibility of full alignment between the observer and the observed.
















