










Klaus in Vorarlberg / 2026
Der Kopf ist rund, damit das Denken die Richtung wechseln kannGalerie Brugger

Santiago / 2026




Features
/ 2026

Berlin / 2026

Shanghai / 2026

Paris / 2026

Brescia / 2026









Munich / 2026

Lima / 2026










@kim.myungchan
.webp&w=1200&q=75)
Cergy / Paris / 2026















Istanbul / 2026

Düsseldorf / 2026

Montpellier / 2025






Brno / 2025

Lisbon / 2025

/ 2024










Shanghai / 2024

@emma.beatrez

/ 2025
%2Fphoto_1_2026-05-24_00-41-28.jpg&w=1200&q=75)
Berlin / 2025

Vienna / 2025

Arnsberg / 2025

Hamburg / 2025

Prague / 2025

Seoul / 2026
%2Fphoto_1_2026-05-23_19-24-35.jpg&w=1200&q=75)
London / 2025

@nadaecc














Dortmund / 2026

Dornbirn / 2026









Lisbon / 2026

Paris / 2026

Paris / 2025

Seoul / 2025

Vilnius / 2026

Brno / 2026

Tisbury / 2026

Shanghai / 2026

Málaga / 2026

Ciudad de México / 2026

Klaus in Vorarlberg / 2026

@koesysaga

Turin / 2026








Mexico City / 2026

Oslo / 2026



New York / 2026









Düsseldorf / 2026

Kraków / 2025

Shanghai / 2025

Brussels / 2025-2026









@pyhii








Tartu / 2024

London / 2024

Stockholm / 2024-2025

Innsbruck / 2025

Paris / 2025











New York / 2025

Warsaw / 2025

Busan / 2025

@camelostrich
%2Fphoto_1_2026-05-23_19-23-24.jpg&w=1200&q=75)
Munich / 2026
%20(GROUP%20SHOW).webp&w=1200&q=75)
Berlin / 2026

Paris / 2026

Kraków / 2026

Nurnberg / 2026














New York City / 2026








/ 2025

Madrid / 2025

/ 2026

Warsaw / 2026

Avigliana / 2026

Brussels / 2026













Copenhagen / 2026









@isabellealbuquerque

Angers / 2026

Genk / 2026

Kraków / 2026

Vienna / 2026

Poznań / 2026

Warsaw / 2026

Tokyo / 2026













Berlin / 2025

@aio0o0o0










/ 2023

/ 2024

Vilnius / 2024

Wroclaw / 2024














Jung-gu, Seoul / 2025

Geneva / 2024





Bratislava / 2025

Santiago / 2025

#DorisSalcedo






Milan / 2025
%2Fphoto_1_2026-05-23_19-28-57.jpg&w=1200&q=75)
Berlin / 2025

Dornbirn / 2026

Seoul / 2025-2026








Seoul / 2025









Warsaw / 2026

Seoul / 2026

Offenbach am Main / 2026

@ppuri_

Hurup / 2026

/ 2026

Seoul / 2026

@dew_needs_you

Seoul / 2026

Paris / 2026











Seoul / 2026

London / 2026

.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
.webp&w=1200&q=75)
Vienna / 2026






Paris / 2026

Munich / 2026

Bucharest / 2026









@filet_minion_thong

New York City (NY) / 2025

Göteborg / 2025










/ 2024

Lisboa / 2023








Budapest / 2024

Prague / 2024
%2Fphoto_1_2026-05-24_00-42-04.jpg&w=1200&q=75)
Milan / 2025

Ljubljana / 2025

@pax_aliena










/ 2025

Bratislava / 2025

Kraków / 2025
%2Fphoto_1_2026-05-23_19-26-42.jpg&w=1200&q=75)
Milan / 2025








Graz / 2026

Prague / 2026

London / 2026

Buenos Aires / 2026

@que.fresca









Berlin-Schöneberg / 2025

Białystok / 2025

Paris / 2026

@xolo_cuintle

Olomouc / 2026
















Prague / 2026




Vilnius District Municipality / 2026

Słupsk / 2026

Poznań / 2026






Poznań / 2026

Brussels / 2026

Berlin / 2026

@yukino_yamanaka

Ljubljana / 2026














Warsaw / 2024-2025

London / 2025
















Brescia / 2025-2026

/ 2024
%2Fphoto_1_2026-05-24_00-50-58.jpg&w=1200&q=75)
/ 2023
%2Fphoto_1_2026-05-24_00-47-49.jpg&w=1200&q=75)
Berlin / 2023






London / 2024

@s_gatzkan





Barcelona / 2024-2025







Milan / 2025

Berlin / 2025

Århus / 2025










Paris / 2025

Berlin / 2025
%2Fphoto_1_2026-05-23_19-20-38.jpg&w=1200&q=75)
Seoul / 2026

Leipzig / 2026

@arghavan_khosravi

Vorarlberg / 2026

Sardinia / 2026

/ 2025
.webp&w=1200&q=75)
Seoul / 2025
Arsmonitor / Eva Chapkin

Eva Chapkin (b. 2003) was born in Chișinău, grew up in Tiraspol, Transnistria, received Bulgarian citizenship through her maternal line, and subsequently moved to Romania — first to Constanța, then to Bucharest, where she completed her undergraduate studies at the National University of Arts. The artist's biographical trajectory, marked by successive transitions between geographies, languages, and identities, constitutes not merely the context but the very raw material of her artistic practice.
Working with photography, Eva Chapkin obsessively returns to the image of her own body as a space of negotiation between belonging and estrangement. The frontal approach to her own representation is part of a continuous reconstruction of the self, creating subjects out of backgrounds — more precisely, out of the places she passes through. In this sense, the image, for Eva Chapkin, is a personal mnemosyne: a Warburgian montage of an obscure and intimate micro-history, a mnemonic journal of permanent displacements. This transitive condition and this way of being in the world are simultaneously a means of expression and of inquiry. Photography thus acquires the function of a witness to emotional geographies, inverting the trauma of dislocation by imprinting the spaces that temporarily shelter her with her own image.
Under the auspices of an identity constituted through a series of processes opposed to the fixing of a personal and social self — through destabilization, transition, and affective contamination — the exhibition Dislocation proposes a reading of photography as a practice of permanent presence: a way of remaining in contact with oneself and with one's own experience, precisely in those moments when that experience becomes most difficult to hold in place. The exhibition functions as a montage — an accumulation of obsessions, recurrences, and fragments — that describes Eva Chapkin's practice over recent years.
For Eva Chapkin, the image of the body exceeds the social stakes. The body becomes both presence and trace, and photography is a space in which identity is continuously negotiated. The self-portrait here plays a role of self-recovery — a gesture of mastery over one's own body, but also a fragile attempt to fix something that is in continuous motion.
Perhaps in this continuous exchange of roles — between body and objects, between image and text, between presence and disappearance, between the familiar and the foreign — the title Dislocation simultaneously illuminates both the condition of leaving a place and the visceral need for fixity and anchorage.























Artists in this exhibition
More at Arsmonitor
More in Bucharest
Related topics