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Der Kopf ist rund, damit das Denken die Richtung wechseln kannGalerie Brugger

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Madrid / 2025
Kunsthal Thy / Nanna Starck

The exhibition The Jewel Box transforms Kunsthal Thy into a casket that safeguards the jewellery pieces Nanna Starck has created especially for this occasion. Suspended from the ceiling like the links of a chain and covering the walls as rough reliefs, these works carry the female body as their ornament. The female body is the point of departure for Starck's artistic practice — it is her own body that realises her artistic works, forming the conceptual origin of her creative process.
The works make it clear that Nanna Starck is not interested in the perfection of the female body. The tension in her work emerges where she disrupts the body's flawless surface — embracing the porous, rough, cracked, and blistered qualities of her materials, allowing them to open into the interior of the body, becoming fissures, cavities, and channels. Vulnerability, as an inherent part of human existence, is not presented as a flaw but as an opportunity for a deeper understanding of the body.
For her exhibition at Kunsthal Thy, Nanna Starck engaged with local legends and mythical female figures — stories of women passed down through generations who often lived on the margins of society and were described as witches or uncanny beings. One well-known example is the local legend of the Ellewoman of the small island 'Lindholm', who lived alone on a hill with two red cows.
The bodies that Nanna Starck has created for Kunsthal Thy are embedded within square elements of partially transparent plastic. The reliefs hang in series of varying lengths from the beams of the kunsthal, resembling the scattered links of a broken bracelet — pieces of jewellery created not only to please their wearer but also to outlive her, becoming a thread connecting the stories of women today with those of their foremothers.
















Artists in this exhibition
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